Dad's Automotive: Real Men, Vol. 13 a review by Harley Shadow

	Cast: Rob Lawrence, Allen Silver, Patrick O'Connor, Jack Austin, Erik Hall, Mick Edwards, Jack Sullivan, Spike Daddy. Directed by Chris Roma for Pantheon Productions.
	Wholesale inquiries, The French Connection. Internet www.frenchconnxxx.com, www.pantheonmen.com.
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Thanks to the hot and hairy staff at Dad's Automotive, business is booming. The garage is filled with vehicles waiting to be fixed, and some — just like the staff — are in store for one fantastic lube job. Rob Lawrence, the boss at Dad's, has a happy staff that gets plenty of breaks besides their lunch break, thus relieving stress by doing team-building exercises that involve a good suck and fuck. Customers like Patrick O'Connor bring their vehicles in, but leave before the mechanics pop the hood because they've greased their pistons in O'Connor's hungry hole.
    One of the great things about this film is the casting. Each guy is about as blue-collar as you can get. When you think of mechanics, you can instantly picture someone like Lawrence, Jack Austin or Allen Silver with rugged looks, obvious masculinity, a thick build and a libido that is nonstop. At times they look like wet dreams in their uniforms of tight polyester pants that accentuate their butts, bulges and thick legs, and button down shirts, sometimes open enough to expose a hairy chest. This blue collar fantasy is so dead on, you might not want them to take it all off quite yet.
    The sex is fantastic. One of the highlights is when Austin is checking under a vehicle and Erik Hall comes over and starts rubbing Austin's crotch. After sucking him, Hall gets up, drops his pants, then turns around and spreads his cheeks to expose and finger his hairy hole to Austin, still lying on his back. By his actions, he doesn't have to ask "You want this ass?" because Austin jumps up, rims him, then still clad in his jockstrap, fucks Hall on top of the vehicle.
    Later Hall's hole gets an up-close inspection as Mick Edwards rims him, occasionally shining a bright light onto his ass for a better view before Edwards fuck him just as hard as Austin did. Another great sex scene happens later, when Lawrence takes a lunch break, cruises Spike Daddy and Jack Sullivan, resulting in a nooner. This time the action takes place somewhere else than Lawrence's garage.
    The sex is also very uninhibited and the models don't stick to solely top and bottom. For instance, Lawrence's opening scene with Silver features them rimming each other, then flip-flop fucking each other a couple of times. It's unexpected, and very hot, especially watching the slimmer and hairier Silver bend the bigger and more muscular Lawrence over and take charge.
    Also, Silver, Sullivan and O'Connor show off their skills and talents by taking Lawrence's very thick cock. The thickness is unreal. I'm not sure if it's the real deal or given some plumpness artificially, but the three bottoms do yell loudly, and Silver breathes like he's giving birth while initially taking it.
    Dad's Automotive is a wonderful film of horny hirsute men caught on camera with awesome angles. Not only are sex scenes awesome, but the country-rock soundtrack by Mark Weigle is a great accompaniment. The songs like "Mr. Truckerman" are funny and naughty, but at the same time catchy. The songs play at the beginning of each scene, but stop once the sex begins.
    The videography gives the viewer beautiful up-close shots of naturally hairy asses and assholes, penetration shots and big low-hanging balls. The mix of mature men with some youngsters makes this film a standout from the sometimes clone-like films on the market.
    The DVD has interviews and trailers.

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