Minute Man Solo 29-30

a review by Harley Shadow

	Cast: Adam Champ, Tom Chase, Darin Hawk, Mitch Branson, Eric Valentin, Mickey Gunz. Directed by John Rutherford.
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I love the subtitles of Minute Man Solo 29 and Minute Man Solo 30, "Built" and "Tough." This is no commercial for a pickup truck, but the titles aptly describe the men featured in the latest installments of this series. Once again director John Rutherford showcases beautifully carved men intimately relaxing and taking things into their own hands, with beautiful settings in the background.
    Built begins with Tom Chase admiring his landscaping, and heading for the pool for a relaxing swim in his itsy bitsy trunks. He lies on a chaise longue to dry his hairy body, but then starts to jerk his cock while running his fingers through his furry chest and belly. I really liked Chase's performance. Instead of just putting his ass on display, he jacks off and fingerfucks himself simultaneously. The camera does an excellent job of capturing his thick digits rubbing and penetrating his tight hairy hole while his cock swells in thickness and length. His cumshot is awesome as he shoots a big load on his dark hairy belly, then scoops it up, holds it over his mouth, and lets it drip into his mouth, savoring it like a bear does with honey.
    Darin Hawk's scene is almost flawless. The camera comes upon him outdoors, reading. He looks up from his book at the camera, with his glasses on, then goes back to the book, but his concentration is broken. I wish he would've kept the glasses on because he makes nerd chic look incredibly sexy, especially after he takes off his clothes to reveal a very hard body and cock. I love the way he keeps eye contact with the camera as if he's trying to seduce each viewer (which he easily does). The soundtrack is very sedating because of its slow pace. I'm not saying the scene should have some giant bass-filled number, but viewers may catch themselves nodding because of the trance-inducing piece.
    There is a lot of wood in Adam Champ's scene. He's out chopping wood in his tight jeans and COLT tank top when he decides to pay attention to his own wood. When Champ pours water from his canteen down his pants and over his hairy chest, it's hard not to gasp as well as wish you could lick it up. He works his wood on logs, on a towel, and on a stump in the same field, but he looks better doing it on the logs. There he lies back with a leg up so we can see his glorious body, hard uncut cock and smooth hole.
    I'm not so sure about what's so tough catching Eric Valentin waking up in Tough, but you might find him tough to resist him in his black see-through COLT undies with a big smile on his face. It takes him nine and a half minutes to shed those underwear, but in that time viewers may find themselves cumming multiple times. Valentin works the camera by humping the bed, pulling down the underwear a bit to flash his supple cheeks, and flex his huge biceps while his uncut cock hardens. After he shucks the briefs he continues to flex, pose, stroke, and wink his butthole, all the while keeping fantastic eye contact with the camera. I love that about models in both of these films. When they make eye contact, it sends a tingle up the viewers' spine, as if they were the ones the model is doing all this for.
    The best cumshot of both films belongs to Mickey Gunz in his outdoor shower. His buff body is stunning, and he makes sure we see it all, but his best asset is the cumshot that goes flying across the screen, causing Gunz, whose biceps and thighs live up to that moniker, to grin from ear to ear.
    After seeing Chase relax by the pool and Hawk relax outside with a book, I thought it would be tough to make a more sensual or erotic outdoor scene. But the last scene does just that with cover model Mitch Branson on his patio, taking in the view, then losing his shirt to reveal a huge hairy chest, hairy abs, and biceps worthy of worship.
    If you think that's hot, wait till Branson loses his shorts. He bends over with his back to the camera, drops his shorts to reveal a delicious muscular ass encased in a red jockstrap. He then does push-ups, which shows all those sinewy muscle contracting, as well as that hairy butt bouncing up and down, like it whould going into your face. Everything about him is big as he loses the jockstrap to reveal a huge hard cock capped with an enormous mushroom head. I love when he shows off his cock and makes his balls bounce. The scene is stunning, and it's all because Branson has the goods, and he knows how to work the camera, and seems to know the audiences' wants and desires. He ends the scene with what seems to be an endless flow of cum spilling onto his patio steps.
    The DVDs have slide shows and previews.

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